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David Hajdu - Censorship in the Comic Book Industry



Uploaded by: ForaTv
Video Description:
Complete video at: http://fora.tv/2008/03/21/David_Hajdu_Ten-Cent_Plague
Author David Hajdu discusses 1950's-era self-censorship in the comic book industry.
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"The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America" with author David Hajdu.
Comic books, not rock-and-roll, created the generation gap. (They also spawned juvenile delinquency, crime, sexual deviance, and things of such depravity that were we to name them, our note wouldn't get through your "adult content" filter.)
Long before Elvis appeared on Ed Sullivan from the waist up, long before Jerry Lee Lewis married his cousin, long before James Dean yelled "you're tearing me apart," teachers, politicians, priests and parents were lining up across from comic book publishers, writers, artists, and children at bonfires and Senate hearings decrying the evil that was The Ten-Cent Plague.
In what is the third in an informal trilogy about American popular culture at mid-century, Hajdu (Lush Life, Positively Fourth Street) radically revises common notions of popular culture, the generation gap, and the divide between "high" and "low" art - Cody's Books
David Hajdu writes a monthly column for The New Republic on music and popular culture. He is a contributor to The Atlantic Monthly, The New Yorker, The New York Review of Books, The New York Times Magazine, and Vanity Fair. Mr. Hajdu was the general editor of Entertainment Weekly from 1990 to 1999, editor-at-large for the New York Times Magazine Group from 1985 to 1990, and the editor-in-chief at Video Review from 1980 to 1985.
Mr. Hajdu is the author of Lush Life: A Biography of Billy Strayhorn, published in 1996 by Farrar, Straus & Giroux and Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina and Richard Farina, published in 2001 by Farrar, Straus & Giroux.
Both of his books were named finalists for the National Book Critics Circle Award. Additionally, Mr. Hajdu has been published in the anthologies: O.K. You Mugs: Writers on Movie Actors and Best Music Writing 2000.


Tags for this video: banned banning books bookstores business censors censorship code comics foratv hayes history mad magazine media movies

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This was cool. It ... ( 6 months ago by variablast)
This was cool. It was a really good story.
Talk about ... ( 6 months ago by joshsowords)
Talk about censorship, how about a publisher putting out a second printing of Seduction of the Innocent. I'd love to actually read it, but I can't justify dropping 500$ on it a second hand copy.
Nice Video lolz, my ... ( 5 months ago by nada710)
Nice Video lolz, my names Lauren, im feelin n0rty and h0rn3y if any guyz wana chat im usually on
___ FriendlyFlirts..dot..COM ___ my username there is Lauren-udwyygjut chat soon ;)
Nice Video lolz, my ... ( 5 months ago by XaRay)
Nice Video lolz, my names Taylor, im feelin n0rty and h0rn3y if any guyz wana chat im usually on
___ FriendlyFlirts..dot..COM ___ my username there is Taylor-gotfnpaboy chat soon ;)
i believe it can be ... ( 5 months ago by brabon)
i believe it can be found online...i read portions of it years ago...great pics....bullshit studies
I never even ... ( 5 months ago by joshsowords)
I never even thought to look for it online, apparently I'm an idiot. I just wanted to read it to put the criticisms in proper context.
Thanks dude.
just remember, ... ( 5 months ago by brabon)
just remember, wertham was not a conservative...he was a lib...think tipper gore and wanting to label rock and rap music...wertham didnt want to ban comics, he wanted to label the ones he thought werent age appropriate...but he did want to ban all sales to anyone under 13...his methodology is flawed, as he never did any real studies, just case studies on delinquents and disturbed children
"self censorship" ... ( 4 months ago by just2w4tch)
"self censorship" is a kind of self preservation when operating in a free market. it's good and it's bad. it's bad because works of art and creativity bend in the face of power, money, popular demand, or all three. It's good because if comics stay a commercial business, they will forever survive. I could write millions of words on this, but so could a lot of people.



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