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Masters of Photography - Diane Arbus

Uploaded by: Cybelephotography
Video Description:
Photographs © The Estate of Diane Arbus
Arbus' portrait © by Garry Winogrand
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http://en.wikipedia.org/wiki/Diane_Arbus
Diane Arbus (March 14, 1923 - July 26, 1971) was an American photographer noted for her portraits of people on the fringes of society, such as transvestities, dwarfs, giants, prostitutes, and ordinary citizens in unconventional poses and settings.
Biography
Diane Arbus (born Nemerov) was born in New York City into a wealthy Jewish family, the younger sister of Howard Nemerov, who served as United States Poet Laureate on two separate occasions. She attended the Fieldston School for Ethical Culture.
Marriage
She fell in love with future actor Allan Arbus at age 14, and married him in 1941, soon after turning 18, despite her parents' objections. When her husband began training as a photographer for the US Army, he shared his lessons with Diane. As a husband-wife team, the Arbuses became successful in the fashion world. As Diane began to take her own photographs, she took formal lessons with Lisette Model at The New School in New York. Edward Steichen's noted photo exhibit, The Family of Man, included a photograph credited to the couple. Together the Arbuses had two daughters, photographer Amy Arbus and writer and art director Doon Arbus. Allan and Diane Arbus had separated by 1959.
Photojournalism:
After separating from her husband, Arbus studied with Alexey Brodovitch and Richard Avedon. Beginning in 1960, Arbus worked extensively as a photojournalist, her photos appearing in Esquire, The New York Times Magazine, Harper's Bazaar and Sunday Times magazines, among others. Her first public work was an assignment by Esquire editor and art director Robert Benton. Published under the title, "The Vertical Journey: Six Movements of a Moment Within the Heart of the City", consisting of six portraits of an assortment of New Yorkers. Arbus would go on to collaborate with Hayes and Benton (and Benton's successors) for 31 photographs in 18 articles.
Early work
Arbus' early work was created using 35mm cameras, but by the 1960s Arbus adopted the Rolleiflex medium format twin-lens reflex. This format provided a square aspect ratio, higher image resolution, and a waist-level viewfinder that allowed Arbus to connect with her subjects in ways that a standard eye-level viewfinder did not. Arbus also experimented with the use of flashes in daylight, allowing her to highlight and separate her subjects from the background.
Grants
In 1963, Arbus received a Guggenheim Fellowship grant. Arbus received a second Guggenheim grant in 1966. The Museum of Modern Art, in 1967, staged Arbus' first museum show as the New Documents show which included the work of Garry Winogrand and Lee Friedlander. She also taught photography at The Parsons School for Design in NYC and Hampshire College in Amherst, Massachusetts.
Death
In July 1971, Arbus committed suicide in Greenwich Village at the age of 48 by ingesting a large quantity of barbiturates and then slashing her wrists.
http://www.artphotogallery.org/02/artphotogallery/photographers/diane_arbus_01.html
http://www.artnet.com/artist/672854/diane-arbus.html
http://www.masters-of-photography.com/A/arbus/arbus.html
http://www.washingtonpost.com/wp-dyn/content/article/2005/05/11/AR2005051102052.html
http://www.washingtonpost.com/wp-srv/photo/essays/vanRiper/030925.htm
http://www.socialaffairsunit.org.uk/blog/archives/000700.php
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http://www.pdn-pix.com/pdn/newswire/article_display.jsp?vnu_content_id=1003686884
December 18, 2007 By Daryl Lang
The Metropolitan Museum of Art is acquiring the complete archives of photographer Diane Arbus through a donation from Arbus's estate.
The museum will receive hundreds of prints and negatives, 7,500 rolls of film and print sleeves annotated by Arbus, plus Arbus's photo collection and personal papers. The artifacts will be preserved, catalogued and made available to the general public for study and research.
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